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Concrete (Philosophy) --- Methodology --- Self-evidence (Logic) --- Hegel, Georg Wilhelm Friedrich. --- Whitehead, Alfred North
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According to the Aristotelian philosophy of science, the principles of demonstation do not themselves need to be proved. Why not? What is peculiar to them? To show that, Scholasticism makes use of a phrase derived from Boethius: the principles are "per se nota" ("selbstverständlich" in the German translation adopted in this work). Thomas Aquinas in particular addresses in a few telling passages in his works the conditions that make a proposition "per se nota". This work tries to clarify the conditions stated by Aquinas. On the one hand it illustrates the context in which these conditions are introduced, namely the question of the self-evidence of the existence of God; on the other hand, it deals with the historical background and the philosophical prerequisites of Aquinas' position. All this not only provides a historically based interpretation of Aquinas' thought, but also offers a rich supply of material to reconstruct an important chapter in the history of ideas.
Ancient logic --- Antieke logica --- Evidence --- Evidentie --- Logic [Ancient ] --- Logic [Medieval ] --- Logica [Antieke ] --- Logica [Middeleeuwse ] --- Logica van de Oudheid --- Logique ancienne --- Logique de l'Antiquité --- Logique médiévale --- Medieval logic --- Middeleeuwse logica --- Scholasticism --- Logic, Medieval --- God --- Scolastique --- Dieu --- History --- Proof --- History of doctrines --- Histoire --- Existence --- Histoire des doctrines --- Thomas, --- Contributions in logic --- Self-evidence (Logic) --- Logic, Medieval. --- 1 THOMAS AQUINAS:16 --- Knowledge, Theory of --- Logic --- Filosofie. Psychologie-:-Logica. Kennistheorie. Logische methodiek. Wetenschapsfilosofie--THOMAS AQUINAS --- Thomas Aquinas, Saint --- -Views on logical self-evidence --- 1 THOMAS AQUINAS:16 Filosofie. Psychologie-:-Logica. Kennistheorie. Logische methodiek. Wetenschapsfilosofie--THOMAS AQUINAS --- Logique médiévale --- Akʻvineli, Tʻoma, --- Akvinietis, Tomas, --- Akvinskiĭ, Foma, --- Aquinas, --- Aquinas, Thomas, --- Foma, --- Thomas Aquinas, --- Tʻoma, --- Toma, --- Tomas, --- Tomasu, --- Tomasu, Akwinasu, --- Tomasz, --- Tommaso, --- Tʻovma, --- Тома, Аквінський, --- תומאס, --- תומס, --- اكويني ، توما --- Thomas Aquinas --- Contributions in logic. --- History. --- Ākvīnās, Tūmās, --- اكويني، توما, --- آکويناس، توماس,
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Daniel Defoe's work displays a keen interest in stories of supernatural encounters. Once considering how one might prove supernatural occurrences and whether one can trust eyewitness accounts, Defoe demonstrates that more is at stake. Like his contemporaries, Defoe wonders about the range of scientific insight, and about the moral and epistemological ramifications of unchallenged trust and faith. His transformations of the supernatural probe the boundaries of knowledge and evidence and play with the limits of cognition, emphasizing the inseparability of mind and emotion. »Schoenenbergers scholarship is valuable not only to Defoe studies, but also to the intellectual history of the eighteenth century.« James Hamby, Journal of the Fantastic in the Arts, 30/1 (2019)
Supernatural in literature. --- British Studies. --- Cultural Sciences. --- Evidence. --- Fiction. --- Knowledge. --- Literary Studies. --- Literature. --- Self. --- Singular Experience. --- Supernatural. --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. --- Defoe, Daniel, --- Defoe, Daniel --- Fefoe, Daniel --- De Fo, Daniel' --- De Foe, Daniel --- Defo, Daniel --- Defo, Danielo --- Defo, Daniyel --- English gentleman --- Gabriel John --- Gentleman --- John, Gabriel --- L. M. --- Lay-hand in the country --- Lover of old England --- Lover of truth --- Merchant --- Moreton, Andrew --- Даниель Дефо --- דעפא, דאניעל --- דפו, דניאל --- דפו, דניאל, --- דיפו, דניאל --- דיפו, דניאל, --- דיפואה, --- Johnson, Charle, --- Criticism and interpretation. --- Daniel Defoe; Knowledge; Self; Evidence; Supernatural; Singular Experience; Literary Studies; Cultural Sciences; Fiction; Literature; British Studies
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In The Roots of Romanticism, one of the twentieth century's most influential philosophers dissects and assesses a movement that changed the course of history. Brilliant, fresh, immediate, and eloquent, these celebrated Mellon Lectures are a bravura intellectual performance. Isaiah Berlin surveys the many attempts to define romanticism, distills its essence, traces its developments from its first stirrings to its apotheosis, and shows how it still permeates our outlook. He ranges over a cast of some of the greatest thinkers and artists of the eighteenth and nineteenth centuries, including Kant, Rousseau, Diderot, Schiller, the Schlegels, Novalis, Goethe, Blake, Byron, and Beethoven. The ideas and attitudes of these and other figures, Berlin argues, helped to shape twentieth-century nationalism, existentialism, democracy, totalitarianism, and our ideas about heroic individuals, self-fulfillment, and the exalted place of art. This new edition, illustrated for the first time, also features a new foreword by philosopher John Gray, in which he discusses Berlin's belief that the influence of romanticism has been unpredictable and contradictory in the extreme, fuelling anti-liberal political movements but also reinvigorating liberalism; a revised text; and a new appendix that includes some of Berlin's correspondence about the lectures and the reactions to them.
Arts, Modern --- Romanticism in art. --- Aestheticism. --- Allegory. --- Analogy. --- Anti-intellectualism. --- Art for art's sake. --- August Wilhelm Schlegel. --- Aztec religion. --- Baron d'Holbach. --- Belles-lettres. --- Causality. --- Certainty. --- Civilisation (TV series). --- Classicism. --- Consciousness. --- Contemporary art. --- Deism. --- Despotism. --- Dynamism (metaphysics). --- Edward Burne-Jones. --- Epicureanism. --- Epigraph (literature). --- Ethics. --- Existentialism. --- Explanation. --- Feeling. --- Form of life (philosophy). --- Generosity. --- Giambattista Vico. --- Giorgio Vasari. --- Good and evil. --- Hedonism. --- Henri Bergson. --- Herder. --- Humiliation. --- I Wish (manhwa). --- Idealism. --- Immanuel Kant. --- Irving Babbitt. --- Isaiah Berlin. --- Italian Renaissance. --- Johann Georg Hamann. --- Johann Joachim Winckelmann. --- Lecture. --- Liberalism. --- Literature. --- Lord David Cecil. --- Lutheranism. --- Magnificence (history of ideas). --- Mario Praz. --- Materialism. --- Melodrama. --- Morality. --- Moses Mendelssohn. --- Nicholas Richardson. --- Nihilism. --- Noble savage. --- Northrop Frye. --- Novalis. --- Obstacle. --- Optimism. --- Perennial philosophy. --- Phenomenon. --- Philosopher. --- Philosophy. --- Pietism. --- Plagiarism. --- Plotinus. --- Politician. --- Primitivism. --- Principle. --- Prose. --- Quotation mark. --- Rationality. --- Reality. --- Relativism. --- Romanticism. --- Samuel Palmer. --- Scientist. --- Self-evidence. --- Self-interest. --- Sincerity. --- Sophistication. --- Stefan Collini. --- Stoicism. --- Stupidity. --- Suffering. --- Suggestion. --- Søren Kierkegaard. --- Theodicy. --- Theory of Forms. --- Theory. --- Thought. --- Three Critics of the Enlightenment. --- Toleration. --- Totalitarianism. --- Treatise. --- Utilitarianism. --- Victor Hugo. --- Visual arts. --- Writing.
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